Editor’s Choice – Orchestral Section
“… Matthews’s Eighth projects a winning eloquence and energy without ever lapsing into ponderousness. Even its dance-rhapsody finale – coming after two movements of strongly contrasted emotional substance – steers well clear of light-music triviality… His well-placed climaxes never pull their multi-coloured punches, with imaginative orchestration admirably conveyed in these finely played and excellently engineered recordings. Rarely have dramatic outbursts of percussion sounded so thrilling, and for once they never overwhelm the rest of the orchestra: the balance is ideal…”